TRANSCOMMUNITIES

TransCommunities: vectors of change

TransWspólnoty

Curated by: Ryszard W. Kluszczyński, Ada Florentyna Pawlak

The opening of the exhibition TransCommunities: vectors of change, jointly organized by the University of Lodz and Fotofestiwal, will take place on Thursday (September 22). The event will begin with a discussions attended by five panelists with different interests and academic backgrounds who will introduce participants to the concept of community and how it can be understood. The exhibition will feature the works of 9 artists.The event will start at 6 pm. 

The list of the panelists will include:

  • prof. Ryszard Kluszczyński (curator, head of the Department of New Media and Digital Culture at the University of Lodz. His research interests include new media and digital culture, social media and contemporary art)
  • dr Marcin Maria Bogusławski (assistant professor in the Department of Contemporary Philosophy at the University of Lodz. His interests include (post)humanism and (post)modernity and concepts of community)
  • dr Joanna Miksa (assistant professor in the Department of Ethics at the University of Lodz. Her academic interests include, among other topics, ethics, including bioethics, and the community from the perspective of practical ethics)

The discussion will be moderated by:

  • Ada Florentyna Pawlak (curator, lecturer at Institute of Ethnology and Cultural Anthropology at the University of Lodz and Trendwatching&Future Studies at AGH University of Science and Technology, speaker of the Digital University. She specializes in the area of social implications of artificial intelligence and transhumanism)
  • dr Artur Modliński (assistant professor in the Department of Management at the University of Lodz. He explores human-machine interactions and the idea of community in the posthumanist understanding)

The panel will be followed by the exhibition opening (7 pm). The artists will present and discuss their works.  

8.30–9.15 pm – visual show and DJ set by AV Soundscape Mirror collective

9.30–11.30 pm – afterparty and DJ set by Krzysztof Ostrowski aka Freeze

[Translate to English:] Cecylia Malik

Cecylia Malik | Water rising

Water rising is a celebration of the river, a good flood. Floods happen because people settled in floodplains. Had we left the space for the rivers to flood freely, water rising would be…

[Translate to English:] Martyna Miller

Martyna Miller | Sexinsitu. An archive of sexual experiences

The Sexinsitu project takes the form of an archive, specific as it collects data and materials that it produces itself, according to an elaborated method. The basic units are video recordings. They…

[Translate to English:] Piotr Trojanowski

Piotr Trojanowski | Zen for all

We live in times when everything is happening way too fast. We are used to constant hustle and rush, although we often don’t really know what it is that we keep on chasing. And even if we do know,…

[Translate to English:] Piotr Wyrzykowski

Piotr Wyrzykowski | Runner 2.1. Four-channel performative installation

Goal: to make it possible to experience the presence of video through viewer’s direct physical participation in creating audio-visual material. The opportunity to be a part of a formal experiment…

[Translate to English:] Radek Husak

Radek Husak | Plural Body

Radek Husak’s artistic practice is realised as a lengthy process – an expanded field of print, reverse technology and the relationship with the model. The artist returns from the digital image to…

[Translate to English:] Xavery Deskur

Xawery Deskur | Are you there?

“Are you there?” is a science-fiction documentary film in the making. It tells a story of a blind DJ’s relationship with Alexa, an artificial intelligence device. The series of video works shown at…

[Translate to English:] Zuzanna Wołejko

Zuzanna Wołejko | Holobiont

[Diploma project carried out in the Editorial Graphics Studio of Dr. Marek Knap at the Graphics Faculty of the Academy of Fine Arts in Warsaw (supervision: Prof. Lech Majewski).]Holobiont is an…

[Translate to English:] Zbigniew Rytka

Zygmunt Rytka | s.m catalogue (some meetings) | Private collection

s.m. catalogue (some meetings)Artists, media, art. Creation process. Art language. Territory of art. Art documentation. Art without documentation. s.m catalogue uses a code that is composed of…

[Translate to English:] Anna Konik

Anna Konik | Silence Heard Loud

2022 / four-channel in situ installation – four screens with fragments of the film, displayed text / colour / sound / synchronized / loopFor the last few years, we have witnessed a large wave of…

The exhibition focuses on the topics related to contemporary transformation in the perception of community, which artists touch upon more and more often. As he pondered on these issues, Giorgio Agamben once proclaimed the emergence of a community where every member will be a role model. In the face of ongoing hybridisation, leading to internal complexity and diversity, in the face of no shared characteristics around which communities used to gather, a new necessity surfaces to put a special emphasis on the bonds that tie together the members of the new community. Up until now, the communities’ hybrid character was caused by global migrations and the development of global tools of communication, as those communities were composed of humans.

Right now, aside from people, non-human and posthuman beings are becoming new members of comunities and at the same time factors changing the intra-community bonds.

What constitutes our sense of belonging, what is the basis of our identity? When it comes to the concept of “community”, its etymology is of key importance. Munus means a special kind of gift, related to making a commitment towards others. Being in a community means that an individual partially renounces themselves in favour of communis. For Robert Esposito, community is an opposite of the personal space of an individual, a concept in which the individual becomes lost and from which it must defend itself. Pursuing the Communitas and the immunitas are the processes that are conditioned by one another.

Contemporary vectors of changes demonstrate that the technoculture lacks balance in this sphere. In terms of thinking about environment, our body and its experiences, affections and sexuality, the technological construction of our “I” and “us” more and more frequently realises itself without our awareness of those processes. We experience quasi-participation which is so absorbing that direct participation in social rituals is no longer possible.

In social practices, it is important to co-exist in a cohabitated reality, share this reality. Modern hybrid worlds are not only human communities, but also many new constellations of other subjects that we are going to bond with. Among them, we can find a variety of non-human living begins and many posthuman, fabricated forms.  

Technological corporations make promises about artificial worlds, where we will no longer feel lonely or unhappy, because virtual beings will welcome us and take care of us. This synthetic standby-for-something-else mode may in fact prove really attractive, especially in comparison with the indifference of real people.

In the process of transhumanisation of communities, we must remember that we inhabit the world in our bodies. Transgression and the need for bonding between different components of TransCommunities emerge as one of the most important challenges for the contemporary world. 

Ryszard W. Kluszczyński, Ada Florentyna Pawlak

UNIVERSITY OF LODZ

Narutowicza 68, 90-136 LODZ

fax: 00 48 42/665 57 71, 00 48 42/635 40 43

NIP: 724 000 32 43

Funduszepleu
Projekt Multiportalu UŁ współfinansowany z funduszy Unii Europejskiej w ramach konkursu NCBR